Thinking of Clairol
The unknown year, and painting with kinescope. *********************************
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Passion
“You are still in the shadows. Stalking. Mozart again. Gravity and grace. Turn a camera movement into a prayer”.
“Kuleshov and I made an interesting experiment”*
“Remember the early days of the cinema, when directors were afraid to cut up the visual movement on the screen, and how Griffith’s introduction of the close-up was misunderstood and by many labelled an unnatural and consequently an inadmissible method… Continue reading